SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Hungarian production.
Here is how this works in practice. Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems cover wireless intercoms, IFB feeds, audio hops, and comms networks that are key for setting up large crews across expansive sets or locations.
Here is the short of it. We give wireless system packages configured for your production's specific communication and audio distribution needs. Our team sets up frequency planning and gear testing to make sure interference-free operation, allowing seamless crew communication and reliable audio transmission across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to know the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies to make sure all systems operate without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
Wisycom + Lectrosonics + Shure Axient under NMHH coordination across Budapest, Debrecen, and Pécs
Here is how this works in practice. Wireless systems in Hungary anchor on Wisycom MCR42 wideband range receivers paired with MTP41S transmitters. Plus Lectrosonics SRc + DCHT digital hops, Shure Axient Digital ADX5D portable + ADX1 bodypacks, and Sony DWR-R03D rounding out the dialogue tier. The 1.9 GHz Wisycom DECT band sits in the rack as a cleaner option when Budapest urban density forces a move off UHF. Our team scans each location across the Buda + Pest divide, the metro line 1 corridor (continental Europe's oldest, opened 1896, with logged RF trouble signatures).
Here is the short of it. Plus the Debrecen + Pécs regional production zones before any transmitter ships, working in TV white space allocations that the post-600 MHz EU re-farming left ready. RF coordinators document a frequency plan that survives Sziget Festival August saturation (500,000+ attendees on Óbudai Sziget), Budapest Film Week, and the Christmas Markets December window without collisions.
Here is the breakdown. NMHH (Nemzeti Média- és Hírközlési Hatóság, Hungary's National Media and Infocommunications Authority) governs the Hungarian range. Plus our team handles sign-ups for high-power systems and confirms legality across each band a production touches. Planning sweeps cover wireless mics, IFB, IEM, wireless video, lens control, comms, and any guest department RF. The deliverable is a printed channel map plus a labeled patch list for each receiver. Origo Studios + Korda Studios + Stern Studios + Pannonia Cine Service crews work this protocol standard.
Here is what that looks like on the ground. Plus the same rigging supports Schengen Area cross-border moves into Austria, Slovakia, Romania, Serbia, and Croatia when shoots migrate. Backup transmitters and receivers ship redundantly, antenna distribution scales for venue size. Plus NAV ATA carnet records covers inbound global RF gear so customs clearance never delays a call sheet.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning makes sure all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within Hungarian legal range, and allocate channels to all departments. We give frequency records and work with each department to program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These give zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We make sure lens control frequencies are set up with other wireless systems.
What about Hungarian RF regulations?
We're familiar with Hungarian frequency rules and make sure all wireless gear operates within legal range. We can advise on sign-ups needs for high-power systems.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain most from full RF planning.
Related Services
Productions in Hungary that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.